Handmade zipper bag

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Fueled by my enjoyment of making the tote bag's from my Purl Soho class, I decided to get more adventurous and try a project from Amy Butler's Style Stitches book. The bag I decided on was the zipper Origami bag in small. This was my first project using zips, so I was a little nervous. However I really enjoyed this project, so much so that I made a few bags (they make great gifts!).

The materials I used here were: Ikea's SNÖA FLINGA fabric for the outer fabric - 100% cotton by designer S. Edholm/L. Ullenius; the lining was a striped fabric from Mood Fabrics and the zip was from Purl - a nylon coil 12" zip in Medium Grey #340. I really liked the way this one and my others turned out, however I would like to try them with a thin waterproof liner as I think they will make great make-up bags.

If you know of any good waterproof linings please let me know.

A stitch in time: Reversible tote bag

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Back in September, I decided that my job was giving me no satisfaction whatsoever and that I needed to do a little learning to enrich my life more. And what better time to go 'back to school' than September?! A friend of mine, AM, had just finished a sewing class in one of my all time favourite shops in New York, Purl Soho. I didn't realise that they did sewing classes, I thought it was more of a 'stitch n' bitch' knitters helping hub, but it turns out they do much more than that. Anyways, she created this gorgeous reversible tote bag in just 3 Saturday classes, and I just had to take the class!

The class was called 'Beginning Machine Sewing I' and my class took place every Thursday night for 4 weeks, at the back of the shop. The hardest part of the course was deciding on the material I was going to use for the bag, Purl have so many fabrics to choose from, I was like a child in a sweet (candy) shop! Eventually the fabrics I choose were a brown heavyweight fabric (for the outer) and a lightweight material for the lining which was called Wild Thyme, Ecru Dots 249E by Carolyn Gavin for P&B Textiles. Unfortunately our laptop died so I lost all the photos of my bag's progress, but that just gave me the excuse to buy a small sewing machine (a Brother 60-Stitch Computerized Sewing Machine, CS-6000i) and make more bags! I've since made a mixture of one strap and two strap totes.

The fabrics for the other bags are a mixture from Purl Soho and Mood Fabrics. Mood is where the Project Runway contestants always go. I have to say that I was completely overwhelmed in there, there is just so much crammed in the 2 floors that I just had to get out as quick as I could. But you can find some great fabrics, especially for linings, at the City Quilter and for good heavyweight fabrics, Ikea, has a great selection and very reasonably priced.

I got this wonderful sewing bible from my husband for Christmas called The Sewing Book by Alison Smith (a fellow Brit as it turns out) I just couldn't wait to get stuck into a new project that I dragged my husband out of our cozy apartment, into the snow to go to Ikea to get some fabric! Well if we're going to be stuck in a blizzard, might as well be doing something productive, no? So watch this space to see some of the projects I'm trying to tackle.

Don't judge a bag by it's cover

I recently read an article by a friend of mine who writes for the Salon.com, about a bag design dispute concerning Kate Spade. On googling this topic, I found that it was being discussed everywhere...

In August of this year, Kate Spade is launching a set of clutches based on "classic book covers" such as The Great Gatsby, Emma, The Importance of Being Earnest, Great Expectations, and A Tale of Two Cities. "The brand will release the 'volumes' one at a time as a sort of Book-of-the-Month Club"*. However these handbags aren't launching without controversy...


Not that long ago, French designer Olympia Le-Tan, launched a collection of clutches called You Can't Judge a Book by its Cover in Autumn of 2009. Obviously Olympia is not happy with Spade's choice of bags and feels that the design house has copied her style.


Le Tan is passionate about books, something which was ingrained during her childhood by her book collector father. She was inspired by her favourite first edition classic covers such as The Catcher in The Rye, For Whom the Bell Tolls, Moby Dick, 1984 as well as 17 other covers.

Le Tan's bags are close copies of the original first editions and it's undeniable that more craft have gone into their creations compared to Spades - for a start Le Tan only made 16 bags for each 21 covers; each made of embroidered silk with colorful felt appliqué. Spade's are new illustrated versions of their books and printed to look worn and will obviously be massed produced. But I have to say, that I don't think the idea was 'stolen' from Le Tan - the outcome is very different: differently crafted, different book covers and I'm guessing a very different price tag - although the retail price of Spade's bags haven't been disclosed yet I'm imagining that they will be the more 'affordable' of the two as Le Tan's bags cost $1,500.

I googled 'book bags' and got copious results for etsy shops and crafters. As the saying goes (and I don't entirely agree with it): there is no such thing as a new idea and Olympia and Mrs Spade are certainly not the first nor the last to have the same idea and it seem that for years people have been transforming books into bags. Michelle Pulis, a young designer who has been creating bag tomes out of actual books since 2008:


Here’s a lovely book tote bag designed by Lizania Cruz, that will unzip to become a handy shopping bag. Lizania creates many beautiful items for Anthropologie.


However I can see why Le Tan feels this way; her collection came out very recently and these gorgeous literary purses are her livelihood whereas Kate Spade is a much bigger cog and doesn't need the cash. If I were Le Tan I would take it as a compliment and reel from the amount of press this issue has received. If I could afford it, I would certainly choose a bag that had been handcrafted by a smaller fashion house over a mass produced one as it's more individual, and I'm sure she hasn't had a shortage of interest. Despite this all, I'm still a big fan of Kate Spade (and even her husband's shop - Jack Spade - is gorgeous too) and I constantly enjoy the visual feast I encounter every time I walk into the stores!

(*) Quoted from the Vanity Fair online article.
Images of the Kate Spade collection also sourced from this article.

Owls Have More Fun

I was recommended by a friend to go to the opening night of Owls Have more Fun, and as soon as I saw the show's title I couldn't agree more, I just had to go! Owls Have...is Lisa Grue's solo show in NYC, at gallery hanahou. The show runs from 25th February - Friday 26th March 2010.

For the show the Danish artist mixes bold neon colours with images of nature (and of course owls a plenty) to create beautiful designs for the home such as a very large rug; 80 one off hand-printed porcelain plates and an enormous custom made wallpaper mural allowing you to submerge into her fantasy world.

I adored the wallpaper and rug but I'd have to say that my favourite was the hand illustrated and printed plates. The contrast of owls, words, nature, neon pom poms with the black and white imagery is just fab. There is also something about seeing objects en masse that I just love.


"Lisa, known for her playful and sometimes shocking illustrations that mix girlishness with feminism, puts her spin on owl and nature motifs, surrounding viewers with a magical world via domestic objects...Lisa's powerful and fun illustrations remind viewers to never forget the magic in everyday life. In addition, they make a statement to girls and women that wisdom and beauty go hand in hand." - gallery hanahou

Lisa's works isn't all owl focused, she has designed many pieces for graphic design, illustration and fashion magazines and labels. However she chose owls as her subject for this show as she wants to encourage women and young girls to "take pride in being clever in general, instead of acting like stupid bunnies to get attention."

Lisa was recently honored as one of the new design talents of Denmark, with a grant from the National Art Foundation of Denmark. To see more of her work check out her website and her blog.

Cupid's needle

Those of you who know me, know that I'm not really a big fan of Valentine's Day, however saying that I still think it's important to share your feelings and what better way to do it than immortalise them in cross stitch?

Alexia Brown from Chicago did just that with her Notebook Cross Stitch Hoop Wall Art. Using 6'' vintage hoops she cross stitches a notebook pattern into Aida fabric, and then stitches witty words on top of that. They are made so that you can hang them nicely on your wall. Alexia plans to create personalised notes, in the near future, for her customers such as "will you marry me?" or "i'm dumping you". To purchase her hoop wall art click to see her etsy shop here, all funds go towards her education.

Monsters of a household variety

It's seems this month is all about monsters, maybe it's a reaction of Where the Wild Things Are.... But these monsters are different as they are hand sewn and in a gigantic book called Monsters of a Household Variety .

The book is a creation of British textile artist, illustrator and 2009 winner of the New Designers One Year On prize, Ruth Ashton. The book was commissioned by Anthropologie, to coincide with it's London flagship opening.

The pages are so intricately sewn and she uses interesting materials for each monster. Each spread is dedicated to the different monsters you might find in your own house like the smelly bin monster, the light bulb popper, the remote control remover, the hot water runner monster...each have their own mischievous stories. The book is enormous (25.5"H, 24.5"W, 3"D), I've included pictures from the Anthropologie site to show the size!

The 24 page book doesn't come cheap - a mear $1,200.00, but to be honest it is a limited-edition, soft cotton page, hand-embroidered book so if you can afford it then it's worth it's money. I will just have to keep popping into the NYC shop to get my dose!

Alexander Girard - Grandfather of textile design

Even though NY born Alexander Girard died in 1993, there seems to have been a huge revival of his work everywhere from Urban Outfitters to V&A; from House Industries to Magma bookshop and even bike shops...
He was born in 1907 and was raised in Rome, Italy. He later returned to the USA to work for Herman Miller in the 50s to the 70s. He is best known for his timeless textiles with their heavy folk art influences. He bought to life the furniture designs of George Nelson and Charles & Ray Eames through colour and funky modern textile patterns. Girard and his wife, Susan, were avid accumulators of folk art, toys, textiles and many worldy folk artifacts. Eventually their collection got out of control so they donated it all to the Museum of International Folk Art in Santa Fe, who since then are proud owners of the worlds largest folk art collection.

Girard never liked to self-promote it was only people in the know, like interior designers, who recognised his work. When he died máXimo became the official agents of his estate and are the ones answerable for awakening the world to Girard's designs and making them accessible again.

Jan Constantine, cushion Queen!

I've been an admirer (I guess more distant window shopper) of Jan Constantine's beautiful cushions for a long time now. I've always wanted one, but could never justify spending that much on a cushion. Luckily for me, one of my best friends bought me one as a leaving present when we left the UK, more of a memento to remind us not to forget Blighty! And I was hugely touched. It now sits proudly in the middle of our HUGE American sofa. I don't have the photo of this at the moment, but here is the cushion (as always, click on the images for more details)...



They are expensive, but totally worth it. Each felted wool cushion is uniquely hand embroidered with cross stitch and blanket stitch detail. The central appliqued heart adds the Constantine touch. Jan Constantine has many other colour and textile variations of cushions, pillows, blankets, tea cosies, handbags etc. Not to mention they are all created with natural dyes and yarns. They sell a good selection of them at the V&A.

British born Jan has a design background in fashion, interiors and styling, which comes across in her collections. She has gathered most her inspirations from her grandmother and great aunts, who taught her how to embroider. I really appreciate hand crafted items and the importance of keeping skilled traditional crafts alive, which is why I like her work ethics especially as she has employed a team of talented craftspeople in Cheshire. She hopes that her items will also get handed down the generations and become heirlooms, I will do my hardest to look after mine, and keep it out of the cat's reach!

Her style also reminds me of Paul Smith's 'Love Too' needle point wall hanging (made from hand spun wool, designed by Paul Smith for The Rug Company) which for those of you SATC fans, you will have spotted it in Carrie Bradshaw's newly decorated apartment from the first film. Delicious!!

Tea & Make {a great British fete}

Yesterday we went to the Tea & Make event which is a celebration of regionally-made craft and making-do from South East London.

There were some lovely stalls there with a variety of things from local honey to ceramics to jewellery and toys. There were also free workshops such as how to make your own monster, learning how to felt and making mini kites. They had a small but great variety of some of the best designer-makers and creators working in Britain today.

My personal favourite was Cornelia O'Donovan who made such fabulous toy animals. She teaches print making at Middlesex Uni, and uses many of her designs on fabrics and incorporates them in her soft animals.


I also very much liked the creations of Polly George as she specialises in intricate homeware ceramics. Very lovely!

Lizzie Finn - Sew good

Years ago I purchased a book called Area which showcased 100 designers and illustrators. In that book I noticed the unique illustration style of Lizzie Finn. Lizzie is unlike most illustrators as her tools of the trade are textiles and embroidery thread. She is best known for her embroidered images on the album cover Things To Make and Do for the British band, Moloko. For this she created handmade characters and also stitched the typography.

I believe that she doesn't shy away from using a computer, however I admire the fact that she prefers this more labour intensive route. She also makes us realise that there is more to design than just computer generated images.